Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Poet Nizami
Qays, the future sees his Lady Beloved,Layli for the first time in school

ID: 34114

Poet Nizami Qays, the future sees his Lady Beloved,Layli for the first time in school
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Poet Nizami Qays, the future sees his Lady Beloved,Layli for the first time in school


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Poet Nizami

1141-1209   Related Paintings of Poet Nizami :. | Nlagara Falls | princesse de Conti | Farewell at Dawn | Das Urteil des Paris | Baths at Pozzuoli |
Related Artists:
William Carpenter
1818-1899
Melbourne Hardwick
1857-1916
Philipe Mercier
Philippe Mercier (also known as Philip Mercier) (Berlin, 1689 - London, 18 July 1760) was a French painter and etcher, who lived principally and was active in England. He was born in Berlin of French extraction, the son of a Huguenot tapestry-worker. He studied painting at the Akademie der Wissenschaften of Berlin[1] and later under Antoine Pesne, who had arrived in Berlin in 1710. Later, he traveled in Italy and France before arriving in Londone"recommended by the Court at Hannover"eprobably in 1716. He married in London in 1719 and lived in Leicester Fields. He was appointed principal painter and librarian to the Prince and Princess of Wales at their independent establishment in Leicester Fields, and while he was in favor he painted various portraits of the Royalties, and no doubt many of the nobility and gentry. Of the Royal portraits, those of the Prince of Wales and of his three sisters, painted in 1728, were all engraved in mezzotint by Jean Pierre Simon, and that of the three elder children of the Prince of Wales by the John Faber Junior in 1744. This last was a typical piece of Mercier's composition, the children being made the subject of a spirited, if somewhat childish, allegory in their game of play. Prince George is represented with a firelock on his shoulder, teaching a dog his drill, while his little brother and sister are equally occupied in a scene that is aptly used to point a patriotic moral embodied in some verses subjoined to the plate






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